Vol. III Issue II April 2014
Contents
Agnes Muthoni Kihoro Magu
Dr. Tom Odhiambo
Dr. Jennifer Muchiri
2. NO MORE ON THE EDGE: A KALEIDOSCOPIC REPRESENTATION OF SELF ASSERTION IN KAMALA DAS'S MY STORY
Anupriya Roy Srivastava
3. BRINGING FORTH THE 'FEMALE': A RE-READING OF RABINDRANATH TAGORE'S THE BROKEN NEST
Arpita Ghatak
4. WORDS THAT MOVE: A TYPOLOGICAL READING OF THE 26th CANTOS OF DANTE'S DIVINE COMEDY
Matt Wheeler
5. BENITO CERENO AND THE INFORMATION ENTROPY OF THE SLAVE REBELLION
Robert Tindol
6. 'FAMILIES IN CRISES' IN CHIMAMANDA NGOZI ADICHIE'S PURPLE HIBISCUS
Mr. Panade Somnath Vitthal
Mr. Londhe Sachin Vaman
7. NEGOTIATING IDENTITY IN THE DIASPORIC SPACE IN DIVAKARUNI'S THE UNKNOWN ERRORS OF OUR LIVES
Chaturvedi. Divi
8. SOME DIMENSIONS OF VIOLENCE IN ROBERT BROWNING'S MY LAST DUCHESS
Dr. D. S. Salunke
9. THE SCIENTIFIC AND POETIC ASPECTS OF THE CHARACTER OF SHERLOCK HOLMES
Dr. Krishna Daiya
10. TRAUMA AND TRAVAILS OF INNOCENT VICTIMS OF INDIAN PARTITION IN BAPSI SIDHWA'S CRACKING INDIA
Dr. Samina Azhar
11. NEGOTIATING THE WORLD OF THE POWERFUL AND THE POWERLESS: A FEMINISTIC READING OF OTHELL0
Hem Raj Bansal
12. CELEBRATION OF AN INDIGENOUS CULTURE IN JAMAICA KINCAID'S ANNIE JOHN
Hina D. Dobariya
13. GOING, GOING, GONE: DICKINSON'S SUBJECTIVE MOVE TOWARDS THE INVISIBLE
Brian D. Reed
14. BETWEEN TRADITIONAL AND MODERN: FUNNY BOY AND THE QUEST FOR FILLING THE CULTURAL GAPS
Elham Shayegh
17. COMPROMISE TO DEFIANCE: AN ETHICAL SURVEILLANCE OF JOHN DOS PASSOS'S U. S. A.
Sanil T. Sunny
18. VISUALISING GENDER: A STUDY OFSHOBHAADE'S NOVEL SECOND THOUGHTS
Tanima Kumari
20. SYNTHESIS OF PAST AND PRESENT IN O'NEILL'S LONG DAY'S JOURNEY INTO NIGHT
Dr. Hossain Al Mamun
22. A FLIGHT OF HER OWN—RUMINATIONS AND STRUGGLES IN MARGARET LAURENCE'S THE STONE ANGEL
Shilpa Bhat
23. THE AMERICAN MYTH OF THE WILDERNESS IN JACK KEROUAC'S ON THE ROAD, THE DHARMA BUMS, AND DESOLATION ANGELS
Sören Schoppmeier
24. ALLUSIONS, SYMBOLS & IMAGERY IN T.S.ELIOT'S 'THE LOVE SONG OF J. ALFRED PRUFROCK'
Dr. Anindita Dutta
25. REPRESENTATION OF MARGINALIZED IN ARVIND ADIGA'S THE WHITE TIGER
Priyanka Maral
POETRY SECTION
1. I KNOW
Zahra Ahmadi(Tanin)