Vol. III Issue I Jan. 2014
Contents
1. WHAT ECHOES TELL US: THE UNDERLYING QUEER AND RACIAL ELEMENTS IN GWENDOLYN BROOKS' MAUD MARTHA AND SELECTED POEMS
2. REVISITING THE OEDIPUS COMPLEX: THEATRICAL SPACE & THE SUBVERSION OF GENDER IN SOPHOCLES’OEDIPUS REX AND SHAKESPEARE’S MACBETH
Dr Panayiota Chrysochou
3. BREAKING THE SURFACE IN ANJALI JOSEPH’S SARASWATI PARK
Dr. A. Linda Primlyn
4. CHILD-REARING AS MONSTROSITY IN THE FIFTH CHILD
Dr. Chung Chin-Yi
5. REVISITING THE NOTION OF REPUBLIC IN SHAKESPEARE’S JULIUS CAESAR AND ANTONY AND CLEOPATRA
Dr Khem Raj Sharma
6. DYSTOPIA: A CRITIQUE OF ARTHUR MILLER'S DEATH OF A SALESMAN
Dr. Swati Samantaray
7. THE FACE IN THE MIRROR: MULTIPLE IDENTITIES AS A CAUSE OF MADNESS IN THE WORKS OF GWENDOLYN BROOKS AND SYLVIA PLATH
Elizabeth Lambert
8. HYPERBOLIC APOCALYPTICISM AND COGNITIVE ESTRANGEMENT IN JOSÉ SARAMAGO’S NOVEL BLINDNESS
Hayfa Chenini
9. ARUNDHATI ROY’S THE GOD OF SMALL THINGS: A DALIT FICTION?
Tahira Tashneem
10. PATRIARCHY AND FEMALE OBJECTIFICATION DEPICTED IN THE POETRY OF FOROUGH FARROKHZAD AND KISHWAR NAHEED
Zeinab Mahmoudibaha
Mahdi Baghfalaki
11. SEMI-PERIPHERAL: SPACES OF DEVIATION, ABJECTION, MADNESS
Francesco Levato
12. CONSCIOUSNESS TO DISSOLUTION: THE INSANE PRODIGIES OF SHAKESPEARE
Dr.(Mrs.) Parneet Jaggi
POETRY SECTION:
1. SELLY OAK SONATA (A Wedding Blessing Poem)
Anna Wing Bo Tso
Miss. Gouri.M.Sattigeri